Tag Archives: poems

Teaching Kids About Poetry

“What does an iguana have to do with poetry?”

That’s a question I recently asked some 5th grade boys, right before launching into my school presentation about poetry, which included a reading of my book, “Iguana in the Road.”

As a member of a local writer’s group, I’d been invited to participate in a literacy program for city youth. I was excited to be around students again, after having been retired from school psychology for 4 years.

I arrived early, hoping to set up my presentation before the students arrived. Unfortunately, I soon learned that there would be a substitute teacher that day. 

Then I was informed by the Literacy Specialist that it was a “tough class.”

I knew I could handle that, but what ruffled me a bit was when my PowerPoint presentation wasn’t immediately recognized by the smart board in the classroom.

It was 8:00 a.m. on a Friday before a long weekend, and I’d been hoping my bright, colorful PowerPoint slides would wake the kids (and me) up, and keep us awake throughout the presentation.

I had a Plan B: I’d brought notes. But luckily, I didn’t have to use them! After about 5 minutes, a helpful staff member got the technology working, and my PowerPoint was up on the big screen. Yay! Now all I had to do was inspire a bunch of young boys to write poetry.

I began by holding up a cute stuffed iguana and asking, “What does an iguana have to do with poetry?” Admittedly, it wasn’t a fair question. They couldn’t possibly have known what I was leading up to. But one brave soul raised his hand.

“Eat,” he said.

“Eat?” I asked. He nodded.

“Okay … they both eat?” He nodded again. What could he have meant?

Maybe I misheard him, and what he really said was “neat” (as in “I like both”) or “feet” (as in the rhythmic pattern of poetry). In either case, maybe he should have been teaching the class instead of me.

I decided to move on quickly – and to keep the presentation lively. (A teacher friend of mine once told me that teaching is something like acting.) I believe my strategy worked, because the boys paid attention and were respectful and engaged throughout the entire hour.

I think having props like my cuddly stuffed iguana helped. I also had brought lots of books. I began by showing them a picture book about Gwendolyn Brooks, the first Black person to ever win a Pulitzer Prize. She won the prize for poetry, I informed them, and she wrote her first poem when she was seven years old. They seemed surprised by that.

Next, I read short quotes about poetry from three famous poets: Amanda Gorman, William Shakespeare, and Kwame Alexander. They’d never heard of Amanda or Kwame, but one boy not only recognized the Bard, but knew his name.

William Shakespeare
William Shakespeare

I animatedly read a page from Kwame Alexander’s novel-in-verse, “The Crossover.” When I mentioned that the book is about twin brothers who play basketball, one boy raised his hand. “I’m a twin!” he said. When I said that the main character in the book is named Josh, he grinned. “I’m Josh!” he exclaimed. I was glad I’d chosen “The Crossover” to include in my talk. (P.S. I love that book!)

Kwame Alexander
Kwame Alexander

I then listed the main ingredients in a poem (rhyme, rhythm, and repetition), read a poem as an example of rhyme, showed a photo of my dog (because kids like dogs, right?), and read a poem I’d written about my dog that used repetition.

I added other ingredients, such as comparison (simile and metaphor), and I read a poem my own daughter had written in 4th grade – one that used a metaphor. I wanted them to know as much about poetry as I could squeeze into an hour, without boring them to death.

I also stressed that a poem does not need to be long. As an example, I put Muhammad Ali’s famous poem (“Me. Whee!”) up on the board.

Then I dramatically announced that there were NO RULES! in poetry. I wanted them to relax and feel free to write whatever was in their hearts.

After that, I invited them to think of a topic and brainstorm a few words that could eventually become a poem. Classroom helpers passed out paper and pencils that had been provided by a grant from a local organization.

Several students asked for help with spelling. As I spelled out a word for one boy, he wrote it from right to left, each letter reversed. Some kids didn’t write at all. One child kept his head down on his desk most of the time. I knew from experience that could mean he hadn’t slept the night before, was hungry, or maybe was just trying to keep his emotions together. Whether they wrote or not wasn’t important to me. I was just glad they were listening, because I was hoping to plant some poetry seeds that day.

In the 5 minutes they had to think of topics and write, the majority of kids did write. I’m not sure I could have done that! Their rough drafts ranged from just a few words to whole paragraphs. Several volunteered to stand and read their works-in-progress to the class.

They wrote about football (one poem was a play-by-play description of a game), and about their pets. One of my favorite creations was this one:

Chocolate, dog, no, no, no.”

Good use of repetition! And it says so much in just five words. After reading his poem aloud, the author explained what he meant (that dogs shouldn’t eat chocolate). This is a clear, concise, rhythmic poem, written in just a few minutes by someone who might never have written a poem before in his life. Bravo!

I concluded my presentation with a reading of “Iguana in the Road,” and moved on to my next assignment, a bilingual 5th grade class down the hall. (The school I visited is the largest bilingual elementary school in my city.) 

Right away, I noticed a difference. The students seemed older, taller, quieter. They didn’t raise their hands or respond to my questions … not right away, at least.

But by the end of the presentation? Wow. Not only were they participating, but they were actively encouraging each other to participate, chanting their friends’ names to get them to stand on the “stage” (the front of the room) and to share their poems.

While they wrote, I offered assistance. As with the former class, many asked for help with spelling. One girl asked if it was okay to write in Spanish, or if she had to write in English. I told her it was fine to write in Spanish, and then I mentioned that to the rest of the class. As a result, several kids wrote poems in Spanish.

Since many were reluctant to read aloud, I offered to read their poems for them, including the ones in Spanish. At least ten children handed me poems to read, about half of them in Spanish. I think they were pleasantly surprised that I could read and understand them!

Thanks to the community grant, each child in the participating elementary schools received a free book that day! I was so grateful for the privilege of being part of this program and being among so many creative, talented, and helpful people.

Mice in the Moonlight

My NanoPoblano2018 post for today is a poem I wrote in response to a prompt by Jessie Stevens. On her blog site, Behind the Willows, Jessie posted a  picture prompt, a photo she took of a red gate latch, complete with a few mouse droppings. She said we could use the photo as a prompt to generate our own writing ideas, and I did. I’ve copied and pasted her picture prompt below, with her permission:

img_7595-2sm

So now, here’s my poem, with apologies to poet William Carlos Williams. (Be sure to read his famous poem, The Red Wheelbarrow.)

THE RED GATE LATCH

So much depends
upon

a bright red
gate latch

decorated with mouse
droppings

beside the
tall trees

for instance:

if it had been blue
or even green

would the mice have
picnicked there?

and if it had been
v
e
r
t
i
c
a
l

instead of F  L  A  T

where would they have put
their cheese?

and what about the
mouse music?

where would they have
sung their squeaky songs

and danced all night
to mini-violins

if not upon the flat red
dance floor?

where would they have
spun their partners?

twirled their tails?
and twitched their whiskers?

I like to think they
used the gate latch

as a stage, their
little crescent ears

casting furry shadows
on the bears and foxes

who watched them in
the moonlight.

 

nanopoblano2018-notrim

The Phantom

This week, Colleen Chesebro‘s challenge was to write a poem in one of the formats she lists (haiku, senryu, haibun, etheree, etc.). It was time for me to try a haibun, which is a titled piece written in first person singular, present tense, minimal words, which combines prose and poetry. (To learn more about haibun, see the link to Colleen’s site above.) Also, this week’s writing had to include synonyms for the words “ghost” and “hollow.” I chose the words “phantom” and “empty.”

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The Phantom

Something’s rattling around downstairs. I can hear it from up here. I creep silently along the long, dark, empty hallway toward the open window. I’ll squeeze through it and onto the roof, drop to the ground, and run away. There’s no other way. I’m sweating as I reach the window. I feel a gust of wind behind me. I turn and see a phantom grinning in the shadows, as it moves swiftly toward me.

full moon
howling wind
shadows pointed
like batons
frenzied rhythm
then a hush
time’s up

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