Tag Archives: singer songwriter

Souvenirs, Part 1

My photography critique group’s assignment last month was to submit three photos inspired by song or book titles. I’ve already shared one of those photos in my post, “Secrets Revealed” — the one called “Chelsea Morning,” which was inspired by a song by Joni Mitchell. Today I’ll show you my photo titled “Souvenirs,” inspired by the song and cd by John Prine.

If you’ve never heard of John Prine, I highly suggest you listen to him singing “Hello in There,” and then listen to Brandi Carlile sing it, too (with an amazing introduction by Stephen Colbert). Don’t be put off by Prine’s voice, which I’ll admit isn’t the best. It’s his honest, down-to-earth persona and absolutely devastating lyrics that get me.

Here’s what Wikipedia has to say about him:

 John Edward Prine … was an American singer-songwriter of country-folk music. He was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death. He was known for an often humorous style of original music that has elements of protest and social commentary.

… Widely cited as one of the most influential songwriters of his generation, Prine was known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary and songs that recollect sometimes melancholy tales from his life.”

Wikipedia, Nov. 9, 2022

Sadly, I never got to see him perform live. He passed away from COVID-19 on April 7, 2020. But before he died, I’d listened to his “Souvenirs” cd many times. I’d sung along to it in the car so often that I’d memorized all of the lyrics and most of the little inflections in his voice.

I decided to use the song, “Souvenirs,” for my photo assignment. I knew I had a stash of memorabilia in my guest room closet (I’d recently been in there looking for something), so I went back in and retrieved a handful of ticket stubs. Here are just a few of them:

These ticket stubs really brought back some good memories. For example:

The Kinks at Melody Fair, 1995

I remember Ray Davies entering the stage wrapped in a British flag, and the excitement of hearing him and, I believe, his brother Dave, performing all their greatest hits from the 60s. I particularly remember his energy. And now, every time I listen to “The Kinks Choral Collection,” an album of Kinks songs Ray sings with a symphonic orchestra and full chorus of backup singers, I feel that energy.

No, not that kind of chorus.

It’s this kind of chorus:

And, believe it or not, they blow the roof off of “All Day and All of the Night” and “You Really Got Me.”

Rent, Nederlander Theatre, NYC Theater District, May 27, 2001

In 2001, my daughters (ages 17 and 21 at the time) and I took an all-girls vacation to New York City. I’m not from the BIG city, so it’s always a thrill for me to go there. We had fun and saw lots of Big Yellow Taxis, the kind Joni Mitchell wrote about.

It was my 17-year-old who suggested we see the musical “Rent,” and we managed to nab cheap tickets that very day. The production was great. My favorite song was “Seasons of Love” (“525,600 Minutes”). Seeing “Rent” had a major impact on my daughter’s decision to become a social worker, which she still is to this day.

In the next installment of “Souvenirs,” I’ll share more memories jarred loose by seeing these ticket stubs. Which ones do you want to hear about next?

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This is post #9 of the month-long challenge known as #NaBloPoMo or #NanoPoblano. To follow my blog, please click below where it says “Follow loristory.”

And, to read more of the NanoPoblano posts written by the supportive blogging group “Cheer Peppers,” click the image below.

New Video (Please Share)

November 3rd is fast approaching. On that evening, we may (or may not) know the results of the U.S. Presidential election. I’m hoping it’s a decisive landslide for Joe Biden and Kamala Harris, and that we Americans will not have to endure weeks of legal wrangling over who actually won.

More than anything, I hope we will never again have to endure the abuse of a donald j. trump Presidency. That’s right. I’m calling it abuse, and if you don’t agree with me, I’m sorry. You can always choose to unfollow this blog.

I don’t have to spell out what I’m talking about. You’ve seen his mocking, derisive speeches, you’ve read his Tweets. You’ve heard him joking about sexual assault, and you’ve been subject to his lies and denials, a.k.a. “gaslighting.”

You’ve heard him refer to bigots as “good people,” and to Mexicans as drug dealers, criminals, and rapists. You’ve cringed when he told the Proud Boys to “stand back and stand by.”

You’ve watched while he intentionally exposed his staff to COVID-19. You’ve noticed as he’s ignored the more than 200,000 American deaths due to the pandemic, downplayed its severity (meaning more vulnerable people will contract it), and used racial slurs to describe it.

You’ve even heard him call himself “the chosen one.” If I sound angry, it’s because I am.

In recent days, I’ve tried to keep a semblance of a sense of humor by matching up song lyrics with current events. For example, on my Facebook page, I’ve referred to “Creep” by Radiohead and to “Paper Moon” by Harold Arlen. But my sense of humor is beginning to wear thin. In fact, I think I can see through it.

That’s why I feel it’s time to ask you, my dear 200-plus followers, to help me.

Please comment below, so we can commiserate together! We need each other more than ever in this strange new world, while we manage to get through the next 27 days without losing our minds.

And also, if you would be so kind, please give a listen to the new (and, I hope improved) version of my original song/video, 2020 (2.0). You may remember my post about it in 2018, but don’t bother listening to that one. I’ve since changed some of the lyrics, added strings and glockenspiel, and re-recorded the audio. The rap in the middle is now accompanied by written-out lyrics. You can sing and rap along with me!

I’d be extremely honored if you’d like it and share it with your friends. The purpose is to get a message out reminding and encouraging people in the U.S. to VOTE (like their lives depend on it, as Michelle Obama recently said).

The song is also fun to dance to.

Here’s the link again: 2020 (2.0)

Thank you.